Brasov, 6 secole de pictura. Brasov, 6 Centuries of Painting
Editie bilingva romana-engleza
Having developed from an early age as a city of crafts and trade, Brasov became one of the most important art centres of Transylvania during the Renaissance. Within this context, easel painting, but also sculpture and mural painting, were represented by numerous valuable creations. Brasov's painting experienced two flourishing moments, the former in the first half of the 16th century and the latter in the first half of the 20th century, when it established itself as an indisputable landmark of art in Romania and south-eastern Europe. The mural in the tympanum of the south-eastern portal of the Black Church, Virgin Mary and the Child between Saints Catherine and Barbara (late 15th century), is one of the first masterpieces of Transylvanian Gothic. The Portrait of Lucas Hirscher III (1535), painted by Gregorius Pictor / Gregor Moler, is the oldest secular easel painting in Romanian art, and The Portrait of Petrus Mederus With His Family (1664) is the first secular group portrait known in Romanian painting. Constantin Lecca and Misu Popp, both from Brasov, played an important role in the evolution of modern Romanian painting in the 19th century. After 1900, the Romanian avant-garde found its leading representatives in Hans Mattis-Teutsch and Hans Eder, artists due to whom expressionism asserted itself in interwar Romanian painting. The tradition of Brasov painting was continued in the post-war period by Teodor Rusu, Eftimie Modalca and Friedrich von Bomches among others. This album illustrates the long history of Brasov's painting, spread over more than six centuries of artistic creation, through the most important masterpieces of each historical era. - Dr. / PhD Radu Popica
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Editie bilingva romana-engleza
Having developed from an early age as a city of crafts and trade, Brasov became one of the most important art centres of Transylvania during the Renaissance. Within this context, easel painting, but also sculpture and mural painting, were represented by numerous valuable creations. Brasov's painting experienced two flourishing moments, the former in the first half of the 16th century and the latter in the first half of the 20th century, when it established itself as an indisputable landmark of art in Romania and south-eastern Europe. The mural in the tympanum of the south-eastern portal of the Black Church, Virgin Mary and the Child between Saints Catherine and Barbara (late 15th century), is one of the first masterpieces of Transylvanian Gothic. The Portrait of Lucas Hirscher III (1535), painted by Gregorius Pictor / Gregor Moler, is the oldest secular easel painting in Romanian art, and The Portrait of Petrus Mederus With His Family (1664) is the first secular group portrait known in Romanian painting. Constantin Lecca and Misu Popp, both from Brasov, played an important role in the evolution of modern Romanian painting in the 19th century. After 1900, the Romanian avant-garde found its leading representatives in Hans Mattis-Teutsch and Hans Eder, artists due to whom expressionism asserted itself in interwar Romanian painting. The tradition of Brasov painting was continued in the post-war period by Teodor Rusu, Eftimie Modalca and Friedrich von Bomches among others. This album illustrates the long history of Brasov's painting, spread over more than six centuries of artistic creation, through the most important masterpieces of each historical era. - Dr. / PhD Radu Popica
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